And this isn't the only job they have available. Netflix's ad for the job asks for someone to help them create content and someone with knowledge points across Hollywood. Esteemed screenwriter John August explained that we have to make sure “ChatGPT and its cousins can’t be credited with writing a screenplay.” We've heard SAG-AFTRA talk about the scanning of background actors who may only receive $200 for their likeness, which would be used in perpetuity. While many think streamers are far away from this technology, it's clear they are willing to pay a premium for technicians to come in and help them do just that. This is also happening as SAG-AFTRA and the WGA are fighting attempts to be replaced by AI. I am all for seeing people employed, but not if it means their jobs come at the expense of thousands of writers and actors trying to get Netflix to pay their fair share. The team used a "wider spectrum source like the ARRI SkyPanel," which gave them much higher quality skin tone replications within the volume. "What worked well for me is having a combination of professional luminaires that augment and complement the lighting source established on the volume screens," Summerer said. The turntable stage used on 1899 Credit: NetflixĪccording to Summerer, lighting was critical, determining "how well you can match the foreground to the background determines how successful the final picture will be," he told ARRI. The stage floor was an actual turntable that spun around for reverse angles and other options, saving hours of time that would otherwise be spent manually moving things 180 degrees. They utilized the now-standard semi-circle with LED screens that allowed for actors, set pieces, lights, crew, and equipment to be encompassed. It feels like they built massive sets and used a giant water tank, but in reality, they took advantage of all the virtual production tools and crew that ARRI provided.ĭirector Baran bo Odar, the team at ARRI Solutions, showrunners, cinematographer Nik Summerer, and many others worked together to bring the entire virtual production set to life. The production team filmed the series on ARRI's virtual production stage (or "volume"), which they designed and built, and the look is authentic, to say the least. But this adventure is much more of a nightmare. Using ARRI's virtual stage and Solutions to film 1899 Credit: Netflixġ899 is a new Netflix show that follows a group of multinationals as they make their way across the ocean on a steamliner, to create new lives in America. Audiences truly felt like the crew filmed on location in a galaxy far, far away. But in reality, it was all done on a virtual production stage.Įven as we move on from the pandemic, virtual production is here to stay as creativity and budgets can be maximized by eliminating globe-trotting, on-location filming. LED display panels replaced green screens, and XR (extended reality) extended the small pieces of a set into a full-blown something. The results were flawless. You could film anywhere in the world without setting foot outside the virtual production stage. Virtual production exploded during the pandemic after being pioneered during the filming of The Mandalorian Season 1. So much so that ARRI developed a virtual production stage on which the new Netflix series 1899 was filmed. Virtual production en masse effectively began with the first season of The Mandalorian, which debuted in late 2019, and became a near-industry standard way of filming during the pandemic.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |